Mysteries, to be known, must be entered into. Instead, we return to it again and again and it unfolds new levels to us. But a mystery, once recognized, is something we are never finished with. Theologian Diogenes Allen illuminates the difference: “When a problem is solved, it is over and done with. You must trust the path, surrender to it.Ī labyrinth is not a puzzle it is a mystery.
To walk one is a right brain activity involving intuition, creativity, and imagination, and it requires a receptive mindset. There are no decisions, no choices, no thinking required. It is unicursal – one way in, one way out. If you don’t pay attention, you can get lost in one. Mazes must be solved, a left brain activity that involves choices and an active mind and logical, sequential, linear thinking. To understand labyrinths, you must first understand that a labyrinth is not a maze. Our brains operate differently in a labyrinth, it seems, and therefore, we become different people, even for just a few minutes. It is a powerful metaphor for life’s journey, but it also provides a particularly satisfying neurological experience. The labyrinth combines the imagery of the circle and the spiral into a meandering but meaningful path. Recorded, Mixed and Mastered by Silent Chaos at Nyctophilia Studio Released for Hellbones Records in the compilation …o sarai ribelle o non sarai! on April 25, 2021 This gathering represents the celebration of a music that wants to return to be social and to inspire freedom. In the most divisive and regressive moment for the entire Western culture, while the plethora of greyed right-thinking, blackmailed, surrendered and frightened, genuflects to the mainstream censorship and leans on the brutalization of all self-determination and individuality, a large and varied handful of rebels, with uncovered faces, gives life to an indomitable and unrepentant flowering of sounds and ideas. More than 100 artists gather together against censorship and the mainstream mind, to offer their militant testimony with an unpublished song thematically relevant to the challenge put in place. Silent Chaos are proud to be part of “…O sarai ribelle o non sarai!”, a compilation by Hellbones Records, curated by the critic and journalist Antonello Cresti. A 4 CDS DELUXE EDITION WILL BE AVAILABLE BEFORE SUMMER. UPDATE: THE COMPILATION HAS BEEN CENSORED BY BANDCAMP AFTER LESS THAN 36 HOURS OF LIFE. THE COMPILATION IS NOW AVAILABLE AGAIN HERE: Recorded, mixed and mastered by Silent Chaos.Īlbum photos & Cover art|design by Silent Chaos Ugo Vantini – electronic pad drums & percussions, loops, ambience, field recordings. Marta NoOne – modular synthesizer, voice, sound fx programming. Released for Eclectic Productions on May 27, 2017 The use of electronic tools, such as modular synthesizer, sequencer and battery pad that controls loops and samples, offers to Silent Chaos a wide sound palette, from which Silent Chaos draw to define the personal stylistic framework.Įach composition determines a special universe in which crop up echoes of concrete music, choirs, tribal sounds, noise and ambient, in sound experiments that envelop and surprise even those not accustomed to listening to these genres. The Silent Chaos music in “ micro” is the first part of a double project (micro- MACRO) where is narrated the evocation of archetypes buried in the collective unconscious, shown in a new intellectually (the manner of Plotinus) emotional light. Ugo Vantini – electronic pad drums & percussions, loops, ambience, field recordings Marta NoOne – modular synthesizer, voice, sound fx programming Released for Unexplained Sounds Group in the compilation Ocean of Sound on December 15, 2017 It doesn’t pretend to be exhaustive, and in some ways, it could appear chaotic due to the lack of a stylistic or chronological order. An intense experience he’s pleased and honoured to share, to highlight once again, the great effort of creativity and musical research bright people do around the world. This third annual report, divided into 2 volumes, contains 229 tracks produced by more than 200 artists, coming from 40 countries. After two years since Unexplained Sounds Group released the “first annual report”, Raffaele Pezzella has been in touch with many musicians working on different projects, including some surveys focused on countries like Iran, Portugal, Russia, Germany, US, UK and so on.
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